Friday, January 13, 2017

The Inheritance Trilogy

The Inheritance Trilogy (Inheritance, #1-3.5)The Inheritance Trilogy by N.K. Jemisin
My rating: 4 of 5 stars

This review is for books one and two in this collection: The Hundred Thousand Kingdoms and The Broken Kingdoms. I will add the subsequent books as I finish them.

In The Hundred Thousand Kingdoms, NK Jemisin has created an amazing world and mythology. In the beginning, we are introduced to Yiene, a young woman who lives in a “barbaric” northern kingdom, who is summoned to the ruling kingdom where she learns she must compete for the inheritance of the crown with her two cousins. Yiene’s mother left before Yiene was born and was disinherited, but for some reason her grandfather (the current ruler) has brought Yiene back. Yiene is definitely a fish out of water, as she is thrown into cutthroat politics, both human and divine.

In this world, there is a ruling god, Itempas the Bright, who was once one of three ruling gods. But long ago there was a war among the gods, and Enefa, the goddess of dawn and twilight, was destroyed - and Nahadoth, the god of Darkness and Chaos has been enslaved to the human ruling family. There are also many demigods, who are the children of the original three. But now, only Itempas is worshipped, and those who try to worship the other gods are branded heretics.

Into this mix of gods, demigods, and humans, Yiene must discover her past, so that she can survive her present.

Jemisin doesn’t go easy on the reader - we are thrown into the main narrative, and we only get the backstory as Yiene uncovers it, and through some (at first) confusing conversations Yiene is having with someone - we don’t find out who for quite some time. This slow unwinding of the story made it difficult, at first, for me to really get into the character of Yiene and become emotionally invested. But by about midway through the book, the past becomes clearer, and the trap in which Yiene finds herself is revealed. From this point onward, I was hooked, and sped through the rest of the book.

Jemisin’s brilliance is revealed not just in the world building and plot, but in her depiction of the gods and demigods. Her depiction of them, both physically and through their actions, feels right - the gods don’t act like humans at all, but their actions seem consistent with their being. Picture Greek or Roman gods, mingling with humans, having their own jealousies and spats, but not being human. Really well done!

Now, from this description you might be thinking this is just another “young person discovers their secret destiny” story - nothing could be further from the truth. The narrative is wholly original, as are the characters. (Though I couldn’t help comparing the ruling family to the worst of corrupt ancient Roman emperors.) The entire world is unlike anything I’ve experienced in literature. If you want to get swallowed up by something entirely new in fantasy, this is the place to start.

This is the review for book two (The Broken Kingdoms) - there will be spoilers if you haven’t read book one (The Hundred Thousand Kingdoms).

Wow! I practically devoured this book! I was captivated by the character of Oree from the very beginning, and simply could not put it down. Superb writing!

The narrative of this book begins 10 years after the events of the first book. The new goddess - the Gray Lady (who was the mortal Yeine in the first book) is now part of pantheon, taking the place (rebirthing?) Enefa. Nahadoth, the lord of darkness and chaos, has been freed from his captivity, and Intempas the Bright is now wandering the world in mortal flesh, sentenced to pay for his sins of killing Enefa and imprisoning Nahadoth.

The story starts in a far kingdom, where Oree Shoth, a young woman who is blind, lives with her parents. Even though she is blind, she can “see” magic when it manifests in the world, and she paints strange and wonderful pictures that her father tells her to keep hidden. She is close to her father, who has a gift of singing that he keeps hidden - he only sings for Oree, when they are alone. But like most young people, Oree feels trapped in her family and her country, and heads for the “big city” - in this case that means Sky, the place where most of book one occurred.

Sky has been transformed by the growth of The Lady’s tree, which manifested when she transformed into a goddess. The tree encompasses all of Sky, both on the ground and in the air. Oree lives and works in the shadow of Sky, where she sells her handmade trinkets to the pilgrims who come to worship the new goddess. She also continues to paint, but these creations she shows to no one, and does not sell. She has made friends, and even had a lover, named Madding, for a while - a lover who is a “godling”, one of many who are now free after the events of 10 years ago, though they are constrained to live and work in Sky. She now shares her home with a silent man she literally pulled from a garbage bin. Their relationship is purely platonic, and since she doesn’t know his name, she calls him Shiny, because he has the strange trait of glowing when the sun rises. He also has a tendency to accidentally injure himself or even kill himself through carelessness, but he always comes back to life the next day.

Events unfold quickly from this point on. Someone is killing godlings, and as Oree found one of the bodies, she comes to the attention of the religious officials. This escalates to her fleeing, and finding safety in Madding’s house. But the safety is short-lived, and Oree finds herself in a situation that seems to have no resolution. At this point she learns a rather surprising fact of her heritage, and becomes even more entangled in power plays between the divine and the mortal.

Jemisin has a real knack for the portrayal of the gods and godlings. They do not have human motivations or feelings, but these are consistent among them, making their personalities seem quite believable. I also found that I could identify with Oree right away, unlike my experience with Yeine in the first book. This, coupled with the nearly nonstop action meant that I read this book in two days!

There are overarching themes that continue from the first book. Though you could read this one alone, reading book one first will definitely enhance the story.


The events of this book take place several years after the last one. It is told in the first person, by the gosling, Sieh, whom we know from the first two books. He is the Trickster, and also the god of childhood and play. He befriends twin siblings, a boy and a girl (Deka and Shahar), children of the ruling “queen” of the Arameri family (the ruling family on the planet.) The three of them make a pact to be “friends forever” and then something cataclysmic happens. Sieh awakens years later, to discover that he is mortal, and, more importantly, he is aging. His body is already that of a teenager, which is anathema to his very being as the god of childhood. He discovers that Deka has been exiled to the school of scriveners (magicians) and Shahar is being groomed as her mother’s heir and the next ruler of the planet. More importantly, he discovers that deep unrest is growing around the planet, and someone is killing Arameri family members, through the use of magical masks. Sieh must try to help Shahar and Deka try to prevent planetary war, while at the same time navigating his maturity, which happens by leaps and bounds, so that he is aging far faster than a mere mortal. Much of the book is Sieh simply trying to understand what is happening to him, and why, which makes this book seem quite personal. Even though the first two books each focused on a single character, somehow what is happening to Sieh seems more intense and personal. Not only is he facing the normal emotions of growing up, he is trying to cope with the fact that his very nature is changing. The plot of the civil unrest and threat of war is quite engaging, and events transpire that leave the planet even more changed than that of the previous book.

For me, this story engaged me from the get-go. Sieh is a fascinating character, and being in his mind as he navigates the pitfalls of what has happened to him, along with what was happening planet-wide, kept me riveted. I felt like the events that transpired were natural to the story as a whole, and the way the gods interacted with each other and with humans continued to be consistent and ring true to the world Jemisin has created. The ending was somewhat surprising, and extremely intense! A good way to end the series.

BOOK 3.5

This novella is quite different in style from the first three books, though it also captivated me from the very first. It’s basically a stream of consciousness story about the “rebirth” or “recreation” of Sieh - or at least a godling who takes Sieh’s place, as part of the theme of the story is this gosling’s attempts to discover who s/he is. It’s a delightful little story, which adds the cherry on top to the ice cream sundae of the series.

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