Friday, November 4, 2016

Kindred



KindredKindred by Octavia E. Butler
My rating: 4 of 5 stars

Quick review summary:
Part historical novel (antebellum South), part time travel mystery, Kindred is a powerful - sometimes painful - book about race, identity, and family. Masterfully written, highly recommended.

Full review:
In this book, Butler tackles slavery and race relations, cleverly woven into a time travel story. It follows the life of Dana, a young black writer, as she bewilderingly and repeatedly finds herself back in the South during the time of slavery. She gradually determines that each time she is pulled into the past, it is because a white boy (and later, a grown man) named Rufus is in danger. Somehow, she is snatched back to rescue him. The problem is, she is trapped there for an unknown length of time, and must survive at a time when most blacks were slaves. Butler gives an unflinching account of life as a slave, including several beatings and whippings. But we also see the relationships between slaves, between slave and owner, and among whites. Nothing is black and white (pardon the pun) - but there are many shades of gray in all these relationships. It is a complex society, but one that is obviously ill. Butler gives us no “Gone with the Wind” happy-go-lucky “darkies” - instead we see the physical and emotional cost of being owned by someone else, and having no ability to direct one’s life. It is a harrowing account, on all levels.

The time travel is never explained, which is fine in this story. It is clear that the link is between Dana and Rufus, and we eventually learn what ties them together. But throughout the story, Dana is at the mercy of whatever it is that pulls her back into history. She has to cope with the jarring dissonance of being a slave one moment and then being back in modern America the next. She learns to prepare for her next journey, by keeping a bag of essentials (such as aspirin) with her at all times. Her husband is also drawn into the journeys, further complicating matters. I liked that Butler never goes into the “science” of the time travel, or how it happens. It just is.

The parts of the story that take place in the past are obviously quite well researched, with many details of life as a slave, and life in general during that time period. Obviously, because slavery is involved, many of the scenes that take place in the past are difficult to read, because of the physical and emotional cruelty. But these do not overwhelm the narrative, which really focuses on the people and their relationships. It is not a simple novel, yet it reads as such, which is a credit to Butler’s skills as a storyteller.

For anyone interested in the topic of slavery and the antebellum South, this would be an essential read. I would also highly recommend it for those who enjoy time travel and the conundrums therein, as long as they don’t want to know the science behind the time travel.


Wednesday, November 2, 2016

Fledgling



FledglingFledgling by Octavia E. Butler


Quick review:
A great addition to vampire lore, with a believable type of vampire, still very sexy. Great story, fascinating characters, but bogged down slightly toward the end, which dropped it from what would have been a 5 star rating. Nevertheless, highly recommended!

Full review:
This book tells the story of Shori, a 53- year old vampire (still considered a child by other vampires), who looks like a pre-adolescent black girl. It begins with Shori awakening in a cave, horribly injured, with no memory of who she is or how she came to be injured. She begins to heal, and ventures out to find out who she is and what happened to her. A young man finds her wandering along the road, and Shori is drawn to him. She feeds briefly on his blood, and we see how very sexual this act is, both for Shori and the man. She moves in with him, and they begin to unravel the mystery of her past. The reader discovers the facts along with Shori, which makes for interesting reading. She eventually finds some of her relatives, and discovers why she is black, and what happened to her. This entire portion of the book is fast-paced, and the gradual reveal of what is going on draws the reader inexorably on. It was only in the latter third of the book, where we get into a sort of trial, that the story bogged down for me. It wasn’t terribly slow, but it was a lot of exposition, and not much action, compared to the beginning section. For this reason, it lost one star in my rating. Up until that point, it was undeniably a 5-star book.

The twist that Butler brings to vampire lore is quite interesting, and quite believable (assuming one can believe in vampires.) In this world, vampires are an ancient race, who evolved along with humans (or possibly an alien race - the vampires aren’t sure), and who have a symbiotic relationship with humans. They do not kill humans when they feed (though they could), but they gather a group of humans together and live much like a commune. The vampire feeds on a different human each night, so as not to take too much blood. The humans benefit from the vampire feedings by receiving near perfect health and a much extended life span (200 years) because of the vampire venom. Additionally, there is a psychological bond between vampire and symbiont, based on the sexual feelings aroused by feeding. Vampire and symbiont become a “family” with extremely strong bonds. The sexual nature of the relationship was done very well by Butler, along with how the “family” forms. I really like this kind of vampire, and am so sorry that Butler died before she could write any more books in what was clearly going to be a series.

This being a book by Butler, race and gender play a crucial role. By making Shori black, when all other vampires are white, brings our own racial conflict into the narrative, giving us another perspective, as all good literature should do. Giving her the appearance of a young girl brings gender and age/power roles into the mix. It’s quite a mental image to have of a pre-teen girl having sex and behaving like a grown woman. It’s a little uncomfortable, even, which I’m sure was part of what Butler wanted to achieve. The reader is forced to look at her own views on age, race, and gender.

Overall, this is a great addition to the vampire genre, and a book that any fan of the genre should read. Spectacularly well done!


Tuesday, September 13, 2016

The English Patient



The English PatientThe English Patient by Michael Ondaatje
My rating: 3 of 5 stars

I finally got around to reading this book. I, of course, first heard about it because of the movie (which I haven’t seen.) I’ve been meaning to read it ever since, and finally picked up a used copy at a second hand store this summer. And it finally made it to the top of my “to-read” list, so here we are.

First of all, I can see why so many people loved the book - it’s atmospheric and moody, and there are several love stories unfolding. But for me, it didn’t really hit home. Maybe my heartstrings are broken, but the love stories weren’t all that compelling. The only one that seemed real was the one between Kip and Hana - I was definitely rooting for their relationship to survive. The romance between the English patient and Katherine never came across as truly romantic. It could be partially because of the way it was related (through flashbacks) and maybe because the relationship itself just didn’t seem healthy. But either way, I was not engaged with that particular love story.

I did really enjoy how the book unfolds - slowly spiraling in on the events of the past that will reveal the identity of the English patient, all the while the four main characters do a similar dance around their various relationships. The style of the writing makes the book seem to be almost dream-like in quality. The mystery of the English patient’s identity was handled well - though I did figure it out before the big reveal.

The four main characters were each quite interesting in their own right. In fact, I was most drawn to the character of Kip, the Sikh who is a sapper (bomb defuser/engineer) in the British Army. Each of the other characters is physically or emotionally damaged: Hana is shell-shocked, Caravaggio has lost both thumbs, and the English patient is horribly burned and disfigured. Yet Kip seems to be quite whole in all regards. He is also the only non-white (though, curiously - and probably significantly - the English patient’s skin is nearly black due to the burn treatments he got in the desert.) As the book progresses, we learn more and more of each character’s back-story, and see how each one came to be at this particular place and time. All of the stories are interesting, and draw the reader along.

One of the biggest flaws, however, was the way the book ended. Kip’s reaction to the US dropping nuclear bombs on Japan seemed to be way out of character and a huge overreaction. Don’t get me wrong, I could see how someone like him could be that outraged, but we never saw any hint of such feelings in him at all. His reaction seemed to come out of the blue. Clearly, the author needed a reason to end Kip’s relationship with Hana, and to end the book as a whole, but this just didn’t ring true to me.

Overall, the book was pretty good. The characters and their stories were interesting, the slow unfolding of the past worked well, and the mesmerizing prose set the appropriate moody, dreamy ambience. It just didn’t have much of an emotional impact on me, personally, though I could see where others might be swept away by the romance. I’m glad I read it, if for no other reason than to know what people are talking about when it’s mentioned.

Sunday, June 26, 2016

The Black Dream



The Black Dream (Heart of the World #3)The Black Dream by Col Buchanan
My rating: 3 of 5 stars

This is the third book in the Farlander/Heart of the World series. (The previous two are Farlander and Stands a Shadow.) This is not the end of the series, FYI; I'm guessing there will be at least one more, but the author's website has no information on what's next.

The series is set in a different world than ours, but one that has many similarities, both social and geographical. The main character is Ash, a member of the Roshun (ninja-like assassins), who is dying. In the first book he takes on an apprentice, Nico, who dies at the end. Ash avenges his death, which has major political repercussions. The fallout from the vendetta makes up book two. In this third book, Ash is trying to make it to the hidden "Islands in the Sky" where it is rumored they have the ability to bring the dead back to life. He is bringing Nico's ashes in hopes of doing this.

The backdrop to the series is the "heart of the world" - a very Mediterranean-like area, dominated by the Empire of Mann (that is much like the Roman Empire at its worst.) The Empire has managed to conquer most of the countries around the sea, with only the peninsula of Khos managing to remain free - though they have been under siege for years. We follow many characters throughout the books, from all areas - the Empire, Khos, the Free Ports, etc. The author manages to keep the narrative flowing, despite the many viewpoints. It's actually quite interesting to be in the minds of so many disparate characters, and not just be following Ash all the time.

Technologically, it's a little bit steampunk, with airships and the like, but no computers. There is a kind of magic that is introduced in this book, whereby "Dreamers" can manipulate things in the real world, such as creating storms or throwing large stones. This magic is based on manipulating the "bindee" which is described as the binary code(!!) underlying everything. Some people, called rooks, can manipulate the area of the bindee that is used for long-distance communication (think hackers with the internet), which makes sense to me. But having binary code underlying objects in the real world makes me think of The Matrix movies, and hints that this world is an artificial construct inside a computer, which I don't think is the author's intent. This discrepancy is one of the books few weaknesses.

The other weakness for me is lack of a character with whom I can really identify. The other main character in this book, Shard, is a young female Dreamer/rook, who seems tailor-made for me to identify with, but even here I just don't quite connect. Ash, as the main character, is sympathetic and someone the reader can admire and root for, but I don't really connect with him, either. There are many other lesser characters, as well, who are all well fleshed-out, but there is no one to personally connect with.

However, the strength of this book (and the series) is the world-building. The author makes this world feel 100% believable. The best comparison I can make is with the Game of Thrones series, where the socio-political constructs immerse the reader in a world that seems fully real. Buchannon also does a great job with action/battle scenes. I raced through the last half of this book, pulled along by the action.

Overall, this may be the strongest book in the series, and it introduces some major new plot twists, while moving the main story toward what looks to be the inevitable showdown between the Empire and the nation of Khos.

One other caveat - this series is not for the faint of heart. It is dark, grim, and gritty. There isn't much levity at all, except maybe a little gallows humor in some characters. There are many evil, sadistic characters, and with the overall backdrop being a war of conquest, there really isn't any let up in the bad things that happen. If you're looking for a light, escapist fantasy, this ain't it! But if you enjoy complex world-building, with lots of political intrigue and action, this is your series.